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Photograph © Hugo Glendinning

Tehching Hsieh was born in 1950 in Nan-Chou, Taiwan. Hsieh dropped out from high school in 1967 and took up painting. After finished  compulsory military service (1970 – 73), Hsieh had his first solo show at the gallery of the American News Bureau in Taiwan. Shortly after, Hsieh stopped painting. Hsieh made a performance action, Jump, in which he broke both of his ankles. Hsieh trained as a seaman, which he then used as a means to enter the United States. In July, 1974, Hsieh arrived at a small port near Philadelphia. He was an illegal immigrant in the States for fourteen years until granted amnesty in 1988.


Starting in the late 1970s, Hsieh made five One Year Performances and a ‘Thirteen Year Plan’, inside and outside his studio in New York City. Using long durations, making art and life simultaneous, Hsieh achieved one of the most radical approaches in contemporary art. The first four One Year Performances made Hsieh a regular name in the art scene in New York; the last two pieces, intentionally retreating from the art world, set a tone of sustained invisibility. Since the millennium, released from the restriction of not showing his works during a thirteen-year period, Hsieh has exhibited his work in North and South America, Asia and Europe. His recent exhibitions Doing Time was presented by Taiwan Pavilion at 57th Venice Art Biennale 2017, One Year Performance 1980-1981 was exhibited at Tate Modern, London, in 2017-2018, and MoMa and the Guggenheim Museum, New York, in 2009.


Tehching Hsieh lives in Brooklyn, New York.

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